This leads us to talk about tUnE-yArDs the experimental solo project of Merrill Garbus. She, like so many currently, is fascinated with layering vocals and constructing rich, complex music around these vocals. That's a classic blending of 60's pop and post-punk. But Garbus sounds like no one else. In part because she pulls rhythms from every branch of music and in some cases blends them together. Secondly she treats her voice like the most complex instrument at her disposal. What she produces is incredible experimental, noise, pop.
This album is not for everyone, but this is a pretty good album, maybe even a really good album. I really cracked on Panda Bear recently for their dull lifeless experimental junk, and I said that I should not have to listen to experimental music, well listening to this album reminds me of how experimental music can be good, even for non-musicians like myself, when it's well constructed.
This would be a great album to play during the day while walking around New York City.
Following the Rhapsody rating method I give it 3 out of 5 stars for Pretty Good.
Oh, my, this is outstanding.
ReplyDeleteThis album might well be good to listen to when you're sitting around the first floor of your house in Cary, N.C., while your wife sleeps upstairs, and you can't find your copy of the awesome Quiet Fire by Roberta Flack.
ReplyDeleteIt doesn't work for me. It sounds like something that just wasn't nearly good enough to make the soundtrack for "The Lion King."
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